Baby Berserk was born in Amsterdam and founded by Mano Hollestelle, Eva Wijnbergen and Lieselot Elzinga. Known for their seamless blend of music and fashion, Baby Berserk captures the essence of contemporary nightlife, balancing the raw energy of a live band with the infectious pulse of club music. Their latest work offers a refreshing and invigorating boost for the mind, body, and soul.

“Slightly Hysterical Girls With Pearls” dives headfirst into the vibrant chaos of modern culture. It’s an album that challenges the status quo, delivering tracks that range from the hypnotic allure of media-fueled entertainment to the fierce battle cries for equal rights and personal freedom. Each song is a journey through a neon-lit world where anticipation builds, emotions run high, and self-expression reigns supreme.

Their new album encapsulates the highs and lows of life, much like a night out that starts with excitement and ends in unforgettable memories. From the seductive grooves of “Entertainment” that draw you into a world of televised fantasies, to the raw, defiant energy of “Piggy Piggy,” which champions the fight for freedom and equality, Baby Berserk crafts a soundscape that is as thought-provoking as it is dance-inducing.

“Slightly Hysterical Girls With Pearls” isn’t just an album; it’s a statement. It’s about embracing who you are, kicking out the negativity, and finding power in the primal urge to live life on your own terms. With a sound that mixes slow, groovy beats with sharp, slithering synths and a relentless rhythm, Baby Berserk invites you to lose yourself in the music and emerge stronger, more vibrant, and unapologetically yourself.

Prepare for an album that’s as stylish and rebellious as the band itself—a soundtrack for those ready to take on the world with pearls around their necks and fire in their hearts.

Following on the critically acclaimed singles ‘What I Mean’ (2020) Baby Berserk’s highly anticipated new album is now finally about to see the light. Sonically designed for gritty rock venues as well as dance clubs, Mano’s lush compositions smoothly intertwine with the highly associative lyrics written by Lieselot.